And there are times when director Ava DuVernay (" Selma") and screenwriters Jennifer Lee and Jeff Stockwell have trouble smoothly shifting between the film's various modes, which run the gamut from doomed love story to coming-of-age romance to knockabout comedy to high-minded philosophical odyssey.
#A wrinkle in time vex movies movie#
It also suffers from trying to do too much in its relatively slight 109-minute running time (the source novel Madeline L'Engle has been considered un-adaptable since its first publication in 1962, so it's possible that even a miniseries might've had issues the 2003 TV movie was a train wreck). This is made impressive more by the characters' reactions than to anything that's onscreen. The problem is that the minute the film earns our trust and guides us into the story, what it has to show us isn't all that remarkable: mostly a lot of nondescript glittering/pulsing/stretching/bursting CGI, of the sort that you'd see in a substandard Marvel film (there's even a creature that looks like a flying cabbage leaf). You think about how strong this girl had to pretend to be, how impervious to pain, and how it was all for show: a survival mechanism. Reid in particular is quite good at this some of the notes she strikes early on reminded me of Elizabeth Taylor in "National Velvet" in their near-theatricality, but in a scene with Pine near the end, the facade drops, and it's devastating. Like the rest of the core cast, he's doing old-movie style, just-plant-your-feet-and-say-the-lines acting that seems to be pretending that the Method never happened. Pine has stealthily become one of the most versatile leading men in American movies, and one of the few who can channel that old-fashioned, George-Bailey-having-a-breakdown-at-the-bar brand of emotionally vulnerable masculinity without seeming as if he's just doing a bit. Much of the emotional heavy lifting is done by the daughter-father team of Reid and Pine. In its multicultural casting, its child-centric story, and its emphasis on the validity of feelings, it's so different from every other recent big-budget live-action fantasy (superhero films included) that its very existence amounts to a contrarian statement. The film's tone is so radically earnest at certain points-particularly when it's dealing with loss and disappointment-that the movie's logo could be a gigantic ear of corn.
#A wrinkle in time vex movies series#
As they travel to a series of galactic locales to free Alex from the grip of dark forces, young Charles Wallace, a prodigy who at times evokes that little kid from " Looper" with the thundercloud eyes, undergoes a terrifying change. Who ( Mindy Kaling), the kids leave their world to find Alex, bringing Meg's crush object, Levi Miller's Calvin O'Keefe, along with them. Whatsit ( Reese Witherspoon), the regal Mrs.
With help from three magical beings, the goofball Mrs. The family was baffled by his sudden vanishing, but it turns out to be connected to his research (with Kate) into tesseracts, a phenomenon that allows for the folding of space and time. The story begins with Meg Murry ( Storm Reid) and her six-year-old adopted brother Charles Wallace ( Deric McCabe), and their scientist mother Kate ( Gugu Mbatha-Raw) in a state of mourning over the disappearance of the family patriarch, Alex Murry ( Chris Pine).
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